ÃÛÌÒAV

• Writing Fiction: The creative writer must learn to critically examine their own work and the work of others. Here, in a workshop environment, you will develop your skills as a writer of prose fiction by developing your own writing and responding to critical feedback from your peers.
• Narrating Identities: Self, Text & the World: This unit aims to provide you with a sophisticated knowledge and understanding of cultural and critical influences on a range of texts and literary media, exploring how literary, philosophical, and aesthetic movements have been used to define, construct and represent the self across the 20th and 21st centuries.
• Interactive Storytelling: Using a narratological and creative approach, you will study the development and nature of the art of storytelling in the context of digital-interactive media.
• Writing Across Cultures & Forms: This unit is a mix of theory and creative practice that aims to prepare you for approaching your practice-led dissertation. It could also support you should you decide to pursue a practice-led PhD with ÃÛÌÒAV as it will require you to articulate clear research agendas focusing on original creative works. 
• Marketing & PR for Writers: This unit will equip you with the knowledge and marketing skills needed by writers and publishers, regardless of the format. You will develop your own ‘brands’ online and will have the opportunity to work on real-life projects for Fresher Publishing, devising marketing and PR strategies to raise awareness/sales of the and the Fresher Writing anthology.
• Design, Editing & Publishing: The aim of this unit is to enable you to evaluate and practice the significant processes of professional publishing. It seeks to equip you with the knowledge and skills needed by writers, editors and other professionals in the publishing industry by engaging in real publishing projects for , the university’s own publishing press.
• Dissertation/Major Project: You may choose between a purely theoretical, academic dissertation or a major creative writing project supported by either a reflective or ‘route to publication’ rationale. By bringing together the skills, craft, theories, knowledge and critical insight you have developed during the programme, you will hone your individual strengths and establish lines of enquiry that may take you onto further doctoral study or into future careers.

The majority of assignments are all individual coursework, although the publishing semester will include group work. You will work on real-life publishing projects for the university’s publishing press, and will have the opportunity to be involved in the administration of and .

MA Creative Writing and Publishing students are immersed in a vibrant media culture and have access to an extraordinary range of multimedia facilities, including radio studios. This offers the potential for students to produce audio clips for their author websites (produced in the Marketing and PR unit) and even full length audio books.

You will be working on industry relevant software, including Indesign and Photoshop, and will also have the opportunity to use the university’s own software – Genarrator – for producing interactive narratives.

Programme specifications provide definitive records of the University's taught degrees in line with Quality Assurance Agency requirements. Every taught course leading to a ÃÛÌÒAV Award has a programme specification which describes its aims, structure, content and learning outcomes, plus the teaching, learning and assessment methods used.

Whilst every effort is made to ensure the accuracy of the programme specification, the information is liable to change to take advantage of exciting new approaches to teaching and learning as well as developments in industry. If you have been unable to locate the programme specification for the course you are interested in, it will be available as soon as the latest version is ready. Alternatively please contact us for assistance.

This international prize – a result of a partnership of ÃÛÌÒAV and if:book UK – promotes the best in new media writing and you can enter your exciting and inventive stories that integrate a variety of formats, platforms and digital media.

Fresher is a publishing press, established at ÃÛÌÒAV to nurture the publishing talent of the future and support writers everywhere. Fresher runs the Bournemouth Writing Prize, an annual international short story and poetry competition, designed to boost your career as a writer.

For MA Creative Writing and Publishing we are looking for able, innovative, and articulate students who like to read as much as they like to write, and who will work well in a group, offering constructive criticism to their peers.

Equally, you will be able to work independently, developing your own work in response to feedback from fellow students and tutors. You will also need to be commercially and digitally aware; ready to learn new publishing software and apply it to practical, real-life projects.

The admissions team will look at your online application including your qualifications, personal statement and any work experience. 

Please make sure your application stands out from the crowd and leaves us in no doubt why you want to study MA Creative Writing and Publishing at ÃÛÌÒAV.

For more information, take a look at our how to apply pages.

In support of your application to MA Creative Writing & Publishing, you are required to submit a creative writing portfolio.

This portfolio should be between 3,000-5,000 words. The portfolio can be specialised by genre or made up of a combination of fiction, poems (equivalent of 10 poems), screenplay, creative non-fiction, and/or extract from a novel. 

Please see our website for the application deadlines. You should apply as early as possible to be considered for your course of choice. If you require a student visa, apply for the visa as soon as you have an unconditional offer and receive your CAS. There may be delays in visa processing in your country and you need to be in Bournemouth ready to study for the start of term.

Click the green ‘Apply now’ button to submit your application free of charge online through myHub, our application portal. You will create your own myHub account so that you can track the progress of your application. Don’t forget to save your application as you go; you can return to it at as many times as you want before you submit it. For more information visit our .

The entry requirements for this course are:

• A Bachelors Honours degree with 2:2 in any subject, or equivalent.

For September 2025 entry: A creative writing portfolio is required from applicants that meet our entry requirements as an Additional Selection Measure. This portfolio should be between 3,000-5,000 words. The portfolio can be specialised by genre or made up of a combination of fiction, poems (equivalent of 10 poems), screenplay, creative non-fiction, and/or extract from a novel. 

If you lack the formal academic qualifications needed to enter a postgraduate or post-experience degree, there are several alternative routes to follow - some based on experience. Contact the Future Students Enquiry Team for more information.

You can find details of the international qualifications we accept, and what level of study they apply to, on our entry requirements for non-UK students' page.

Please see below some examples of the qualifications for entry:

• India: Bachelor’s degree (four years) from a recognised HE institution with a minimum overall result of 55%  
• Nigeria: Bachelor's degree from a recognised institution with a minimum classification of 2:4  
• China: Chinese Bachelor's (Honours) degree from a recognised higher education institution with 65% or above  
• Turkey: Bachelor’s degree (Lisans Diplomasi - four years) with a minimum overall GPA of 2.3/4.0  
• Ghana: Bachelor's degrees from University of Ghana or Legon with a grade of 2.00 or above, or from Cape Coast with a grade 2.5 or above  
• USA: US Bachelor’s degree (four years), with a 2.5 GPA or above  

All applications will be subject to a minimum grade and your degree may need to be in a relevant subject area.

English language requirements

If English is not your first language, you will need to provide evidence that you understand English to a satisfactory level. English language requirements for this course are normally:

IELTS (Academic) 6.5 with minimum 6.5 in writing and 6.0 in speaking, listening and reading ´Ç°ùÌý±ð±ç³Ü¾±±¹²¹±ô±ð²Ô³Ù.

³Õ¾±±ð·ÉÌýfurther information about our English language requirements.

offers a number of and to prepare international students for postgraduate study at ÃÛÌÒAV. Admission to the degree is guaranteed on successful completion of your course to the required level.

This course will provide you with a wide range of skills for employment in the media and communication-related industries including:

• Authorship
• Media writing
• Publishing
• Journalism
• Advertising
• Public relations
• Teaching

If you want to continue your studies after achieving your Master’s, you can look into our range of doctoral programmes.

What’s included in your tuition fee?

Your tuition fee covers expenses associated with your course including tuition materials, access to facilities, mandatory field trips and the following:

• Our fees commitment means your tuition fees are fixed and your fee will be the same for each year of your course.
• Materials for laboratory and field-based teaching activity
• Support for finding placements (UK or abroad) and fieldwork, and non-financial support whilst on placement if this is part of your course of study.
• A range of student services – advisors, help desks, counsellors, placement support and careers service.
• The Library – access to a wide range of electronic resources (databases, e-journals and e-books), print and multimedia collections, subject librarians and study spaces.
• Access to Brightspace, our virtual learning environment, which offers a responsive and personalised learning experience with powerful learning analytics capabilities, integrated social media and advanced video features.
• IT labs (some open 24/7), wireless network, AV equipment to borrow
• Free software download to your personal device of Microsoft Office 365 ProPlus while you are studying, as well as access to applications provided on AppsAnywhere, subject to licensing and compatibility restrictions.
• Disability and additional learning support, according to individual circumstances.
• The ÃÛÌÒAV Language Centre to help you develop/improve foreign or English language skills
• 24 hours a day, 365 days a year security team.

Additional costs

We are committed to offering you value for money and ensuring there are no hidden costs while you are studying with us, therefore we have listed below any additional costs you may incur that are not covered by your tuition fee:

• Laptops, tablets and mobile devices and any software used on personal devices. Access to a personal computer is strongly recommended for your study. If you are experiencing financial difficulty, visit our website for information regarding hardship funds.
• For students enrolled on the online version of the course you will need to own or have acess to a computer with a minimum of 8 gigabytes of RAM and install Adobe software (InDesign and Photoshop) on this computer.
• Textbooks, general stationary and other supplies. Our award-winning library has a large range of textbooks and online resources, free of charge. The Students Union shops stock stationary supplied on both campuses,
• Accommodation and living costs. Please visit our for more information.
• ​Travel costs for optional field trips, outdoor wear and footwear for mandatory and optional field trips (if applicable).
• Travel costs to and from the University campus. An annual bus pass can be purchased alongside your rent if you are living in halls of residence/Unilet accommodation or may be purchased separately.
• ​Travel costs to and from your placement (both in the UK and overseas) if this is part of your course of study. Placement year funding information can be found on our website.
• You will need to meet the cost of any Enhanced Disclosure and Barring Service (DBS) check if required by your placement setting, including any Post Office or Digital ID verification charges.
• Clothing or equipment costs required for your placement if this is part of your course of study. 
• SportÃÛÌÒAV membership.

While all aspects of the programme, including required field trips, are included in the fee, additional, optional or extra curricula activities may be available for which a student contribution is required.

If you need to repeat one or more units during the course of your studies (with or without attendance) the pricing will be pro-rata of the full time fee.

International (not Rep. of Ireland) students need to pay a non-refundable deposit to secure their place on a postgraduate course. For January 2025 entry, a £5,000 deposit is required. You will need to pay your deposit by the date stated in your offer letter. The remainder of your fee will be payable on registration/enrolment/ There are two exceptions to the non-refundable rule on the deposit.

• You fail to meet the academic or English requirements of your offer
• You are refused a visa to enter the UK, provided the reason for the refusal is not a fraudulent application.

We offer a range of scholarships to eligible students who are beginning their studies at ÃÛÌÒAV. Please visit our funding pages for details on living costs, budgeting and paying your tuition fees.

Brad Gyori is a Senior Lecturer in Digital Storytelling at ÃÛÌÒAV. He is the Programme Leader for the MA in Creative Writing and Publishing and an HEA Senior Fellow. He holds a PhD in Rhetoric and Composition from Arizona State University and has taught both media theory and production at ASU and the Tribeca Academy in downtown Chicago. He is a practice-led researcher, playwright, web designer, screenwriter, director, journalist, songwriter and novelist. As a television writer-producer, he has worked for such networks as MTV, VH1, FX, E! and HBO online. For ten years, he was the Head Writer of the Emmy award winning Talk Soup. He has been nominated for five Emmys. His articles have appeared in The Journal of Broadcasting and Electronic Media, Journalism and Mass Communication Educator, Interactive Storytelling, Journalism Education, The Interdisciplinary Journal of Problem-based Learning and Flow. In 2014, his play Desolation Angels was presented as a staged reading at Chicago's Steppenwolf theatre...